Sands Of Oblivion Movie Download In Hd
In 1923, legendary film Director <a href=">Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the central California coast. His reasons for doing so were very mysterious. This story gives a fictional explanation as to why he did it. There was a legitimate Egyptian artifact amongst the props, but they didn't know which one was trapping the spirit of an Egyptian avenging god. Mysterious murders and accidents while making the film brings things back to the surface today, and it starts all over again. Iraq military logistics veteran Mark Tevis joins disabled grandfather George, who finally pursues his lifelong dream: digging up in a Californian desert, the film set for legendary epic films Director Cecil B. DeMille's Biblical The Ten Commandments (1923), which he saw as the young son of the location scout. They find a box containing George's childhood treasure, including an amulet. This unleashes a curse from early Phanaonic times, liberating the monster henchman of the evil god Seth, who starts by ripping off George's arm, a fatal wound. Expedition leader Alice hires Mark to speed up the emergency dig, but the entire crew is terrorized by the curse. Her nearly divorced husband Jesse Carter deciphers the atypical hieroglyphs, but is possessed himself. Over the years I've seen some pretty decent story ideas that the SciFi Channel has used as a basis for original films. They've usually gone to the bad because the money and/or skill needed to make them A quality entertainment just wasn't there.<br/><br/>THE SANDS OF OBLIVION gives them the chance to mess up not a good idea but a potentially awesome one that could have been as exciting as THE MUMMY or RAIDERS OF THE LOST ARK. Unfortunately, the great idea just fizzles out.<br/><br/>The basis of the story is that when Cecil B. DeMille made the original, silent THE TEN COMMANDMENTS the studio bulldozed the elaborate sets in the California desert instead of recycling the lumber and other building materials. It seems that there had been genuine Egyptian artifacts used in the set and something Very Bad had been unleashed.<br/><br/>In the present day people are digging up the old desert location, and Something Bad is once again free to roam the Earth.<br/><br/>The cast is adequate to the job, and the special effects are really pretty decent. But the script and direction are uneven, and the film never finds a consistent tone. It veers into comedy and seems to disregard the numerous people killed by the newly unleashed monster. Near the end there's a dune buggy race that's professionally filmed but seems to have been cut in from another movie.<br/><br/>The original TEN COMMANDMENTS had a segment set in contemporary times (the 1920's) concerning the building of a cathedral with substandard material and the tragedy of putting cost and convenience in too high a position. A similar theme could have been developed with the lumber, which would be very well preserved in a desert climate.<br/><br/>THE SANDS OF OBLIVION is certainly worth watching, but the main thing I kept thinking was what might have been. When a crew accidentally unearths a long-lost film set from an Ancient Egyptian epic, they unleash a long-contained creature into the nearby desert and race to stop it before it completes it's mission of vengeance for being awakened.<br/><br/>This one manages to have some rather nice moments from it. A lot of what makes the film work is that there's some nice action scenes along the way here, which manage to give the film a really fantastic pace throughout here. The opening flashback showing the ancient Egyptians conjuring up the demon on the battlefield and battling the army of soldiers before finally burying it away in the sand-storm for the actual entertainment rite, the first encounter in the pit under the sand-dunes where it reawakens and attacks in fine form and the entry way into the crypt is highly enjoyable with the suspenseful crawl through the opening into the lavish main chamber before the the attack where it lurches out of the shadows to ambush them before being driven off in a flurry of action that's really enjoyable. Even later attacks, from the guard attacks on the transport route to the great beach scenes and even the longer, involved attacks as the encounter with the seductive demon-figure and the locust attack at the mote give this one some exciting and really thrilling action along with managing to give this a perfect base for the rousing, energetic finale. From the frantic dune-buggy chase through the woods out into the desert sand, a series of great brawls at the excavation site and finally the big battle at the end with the big creature and the reanimated sculptures on the wall all coming together with a couple rather suspenseful stalking scenes and even some gory deaths thrown in. As well, it's pretty nice to know it's possible to do a horror film on Egyptian culture without going for the mummy route, as there's a lot of fun here with the creature's appearance and supernatural powers that has some really fun times here. These here give this plenty to like against the few minor flaws to this one. Although there's a lot of fun to be had from this, it's Adventure-movie feel does leave the pace and tone a little disjointed here which makes this too upbeat here without really offering too many scary moments as it whisks itself off into another big action scene, which causes the pace to be a little thrown at times. That also causes this one to really gloss over the unleashed plagues part of the curse, which really should've been much more prominent here instead of how this one handles that kind of scene. The only other flaw here is the lack of clear-cut explanations for everything that are stated as fact, which is a big annoyance. Overall, though, it's not half bad.<br/><br/>Rated R: Graphic Violence and Language.
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